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              <text>Ennead Architects' design is meant to be unobtrusive to the current aesthetic of the Mall. The construction would have incorporate a sloped path leading to a two-story underground facility, making the center invisible from some perspectives. The design was intended to duplicate the long, angular composition of the Vietnam Veterans Memorial Wall. &#13;
&#13;
Inside the center, visitors would have explored four main exhibits; a portrait gallery that containing a portrait of each service member listed on the Vietnam War Memorial, as well as those who have served since this conflict; an exhibit of the items and memorials left at the Wall since 1982; a historical timeline of the Vietnam War; and an exhibit on the history of military and civil service, from the Revolutionary War to present day. </text>
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                <text>&lt;a href="http://mallhistory.org/items/show/69"&gt;Jan Scruggs&lt;/a&gt;, President and Founder of the Vietnam Veterans Memorial Fund, proposed in 2000 to build an education center focusing on veterans' service in the wars following Vietnam. The planned center would have been located across the street from the &lt;a href="http://mallhistory.org/items/show/63"&gt;Vietnam Veterans Memorial&lt;/a&gt;. It will display some objects that visitors have left at the Wall since 1982. Congress approved of the center in 2003, but the project did not break ground until 2012. In 2018, the VVMF announced their decision to cancel the building project, focusing instead on digital resources and online exhibits.</text>
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                <text>&lt;a href="http://www.vvmf.org/education-center"&gt;Vietnam Veterans Memorial Fund&lt;/a&gt;</text>
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                <text>2000-present</text>
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                <text>Images created by Ralph Appelbaum Associates, via &lt;a href="vvmf.org"&gt;Vietnam Veterans Memorial Fund&lt;/a&gt;</text>
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              <text>The statue is a female figure wearing a military style helmet decorated with an eagle’s head, stars, and a feathered crest. She holds a sheathed sword in her right hand, while in her left she has a laurel wreath and a shield with thirteen stripes. The statue itself is 19.5 feet (6 meters) tall. The figure stands on a globe bearing the motto “E Pluribus Unum.”</text>
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                <text>Statue of Freedom</text>
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                <text>Library of Congress Prints and Photographs Division. &lt;a href="http://www.loc.gov/pictures/item/dc1054.photos.361166p/"&gt;View original&lt;/a&gt;.</text>
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                <text>12/2/1863 (installed)</text>
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                <text>&lt;a href="http://mallhistory.org/items/show/535"&gt;In 1855, Congress commissioned Thomas Crawford to build a statue to top the cast-iron Capitol dome.&lt;/a&gt; Two years later, Crawford created the plaster model in Rome and sent it to the US for casting. The bronze was cast at a foundry in Washington DC under the supervision of Philip Reid, an enslaved man. Casting was briefly interrupted by the beginning of the Civil War, but was completed by 1862. The statue stood on the Capitol grounds &lt;a href="http://mallhistory.org/items/show/256"&gt;until the dome was completed&lt;/a&gt;. The statue was installed in stages, with the final pieces added in December 1863. Today, the Capitol Visitor Center displays the plaster model of the statue.</text>
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              <text>Including the base and sculpture, the piece is 34-feet high. The stainless steel shape is 16-feet wide.</text>
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                <text>Infinity</text>
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                <text>Jose de Rivera</text>
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                <text>Institutional History Division, Smithsonian Institution Archives. &lt;a href="http://siris-sihistory.si.edu/ipac20/ipac.jsp?&amp;amp;profile=all&amp;amp;source=~!sichronology&amp;amp;uri=full=3100001~!9357~!0#focus"&gt;View original&lt;/a&gt;.</text>
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                <text>3/28/1967 (dedicated)</text>
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                <text>Louisiana-born sculptor, Jose de Rivera designed and built the abstract sculpture "Infinity" that currently welcomes visitors to the &lt;a href="http://mallhistory.org/items/show/48"&gt;Smithsonian National Museum of American History&lt;/a&gt;. The sculpture slowly rotates on its base, completing 1 revolution every 6 minutes. In 1965, the federal Art-in-Architecture program commissioned this statue by reserving half of 1 % of the estimated total construction costs of the new National Museum of History and Technology. Museum architect, Walker Cain, recommended Rivera's proposal for a new art work to accompany the new museum. After two years of design and construction, the sculpture was dedicated in the spring of 1967.</text>
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              <text>The sculpture is 40 feet tall and weighs 35 tons. It contains 71 pieces connected by 1,200 bolts all faceing the same direction. Calder instructed that the sculpture be painted with a matte black, lead-based paint. In 2013, conservators repainted the piece with high-tech paint specifically designed for outdoor sculptures. </text>
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                <text>Gwenfritz</text>
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                <text>Alexander Calder</text>
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                <text>Institutional History Division, Smithsonian Institution Archives. &lt;a href="http://siris-sihistory.si.edu/ipac20/ipac.jsp?session=14F605S0U9301.1295&amp;amp;profile=sicall&amp;amp;source=~!sichronology&amp;amp;view=subscriptionsummary&amp;amp;uri=full=3100001~!9319~!1&amp;amp;ri=3&amp;amp;aspect=power&amp;amp;menu=search&amp;amp;ipp=20&amp;amp;spp=20&amp;amp;staffonly=&amp;amp;term=calder&amp;amp;index=.GW&amp;amp;uindex=&amp;amp;aspect=power&amp;amp;menu=search&amp;amp;ri=3"&gt;View original&lt;/a&gt;.</text>
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                <text>6/2/1969 (dedicated)</text>
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                <text>Sculptor Alexander Calder designed "Gwenfritz" in 1965 after Washington philanthropist Gwendolyn Cafritz commissioned him to create a piece for the new Museum of History and Technology. Calder built the 40-foot tall metal stabile in France and shipped it to Washington in 6 crates. Smithsonian staff installed the work in 1969 on a reflecting pool facing 14th Street. In 1984, the Museum moved the sculpture and filled in the pool. In 2013, the Smithsonian began conserving "Gwenfritz," and in October 2014 returned it to the original location. During the restoration, staff repainted the sculpture and replaced all 1,200 bolts connecting its panels.&#13;
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                <text>Since the 1770s, American indigenous people have always served in the US military at a higher rate than other groups. In 1994, a bipartisan congressional effort passed the Native American Veterans’ Memorial Establishment Act to authorize the creation of a memorial to all American Indian, Alaska native, and native Hawaiian veterans. The memorial was to be placed inside the &lt;a href="http://mallhistory.org/items/show/49"&gt;Smithsonian National Museum of the American Indian&lt;/a&gt;. In 2013, Congress gave the Museum authority to select the final location of the Memorial and to assist with fundraising since no federal funds would pay for its construction. Some advocates wish the Memorial could be on the Mall near other memorials honoring American war veterans.</text>
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                <text>Congress.gov. &lt;a href="https://www.congress.gov/bill/103rd-congress/house-bill/2135/text"&gt;View original&lt;/a&gt;.</text>
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                <text>10/5/1994 (authorized)</text>
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              <text>The first design, proposed by Brazilian-born landscape architect Eduardo Catalano, looked like an olive branch from above. The leaves of the olive branch were a series of smaller gardens, connected by a path which formed the stem. There was also an amphitheatre and a glass pavillion. &#13;
&#13;
The second design, by Royston Hanamoto Alley &amp; Abey (RHAA), drew on the themes of the Senate Park Commission’s 1902 plan for the National Mall. It included a water feature aligned with the Washington Monument and bells to be rung either by visitors or the wind. </text>
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                <text>National Peace Garden</text>
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                <text>In 1985, Elizabeth Ratcliff, a former English teacher from California, proposed a national monument to peace. The monument was approved by Congress within two years and Hains Point was selected as the site. The Peace Garden Project Committee, led by Garret Eckbo, held a design competition in 1989 and selected Eduardo Catalano’s olive branch plan. Catalano's plan was approved by two planning Committees but rejected by the US Fine Arts Commission in 1992. The design firm Royston Hanamoto Alley &amp; Abey was then hired and a year later their design received full approval. Funding for the monument was not secured by 2003, and the Garden was never built.</text>
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                <text>1987 (approved)</text>
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                <text>2003 (authorization expired)</text>
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                <text>1980-1999</text>
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                <text>Environmental Design Archives. &lt;a href="https://instagram.com/edarchives/"&gt;View images.&lt;/a&gt;&lt;a href="http://exhibits.ced.berkeley.edu/items/show/1518"&gt;&lt;br /&gt;&lt;/a&gt;</text>
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  <item itemId="516" public="1" featured="0">
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      <name>Place</name>
      <description>Important spaces on the mall (See the "Places" writeboard in basecamp.)</description>
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              <text>Memorials</text>
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              <text>Unbuilt</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>National Liberty Memorial</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="23254">
                <text>&lt;p&gt;After authorization expired for the &lt;a href="http://mallhistory.org/items/show/513"&gt;Black Revolutionary War Patriots Memorial&lt;/a&gt;, Maurice Barboza and Lena Santos Ferguson restarted their campaign to honor African-American service during the Revolutionary War. Congress authorized the National Liberty Memorial in 2013 that will be located at the corner of 14th Street and Independence Avenue near the &lt;a href="http://mallhistory.org/items/show/43"&gt;Department of Agriculture&lt;/a&gt;. The Memorial will commemorate African American soldiers, sailors, and civilian volunteers, and also honor enslaved people who escaped or petitioned for their freedom during the war. By 2020, organizers must raise money to design and build the monument.&lt;/p&gt;</text>
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            <name>Coverage</name>
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                <text>2000-present</text>
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                <text>1/2/2013 (authorized)</text>
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              <elementText elementTextId="23414">
                <text>Photo courtesy of &lt;a href="http://www.davidsnewtonsculptor.com/-gallery.html"&gt;David Newton&lt;/a&gt;.</text>
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        <src>https://mallhistory.org/files/original/b852e07a1ff126bd2192d61f44ae5a98.jpg</src>
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          <name>Physical Description</name>
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              <text>The design of the memorial depicts Banneker looking through a telescope and holding a book. There is also a large clock tower, based on one Banneker designed.</text>
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              <text>Memorials</text>
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          <element elementId="50">
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                <text>Benjamin Banneker Memorial</text>
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                <text>&lt;p&gt;In 1996, the Washington Interdependence Council began planning a memorial to &lt;a href="http://mallhistory.org/items/show/77"&gt;Benjamin Banneker&lt;/a&gt;, an African American scientist and surveyor who helped map the boundaries of the District of Columbia. Congress authorized the plan, and the Council was responsible for raising money for construction. The initial authorization expired in 2005, but the project was renewed in 2010 through new legislative efforts. The memorial is expected to part of a large-scale renovation near L’Enfant Plaza and Banneker Park. The proposed project includes a 14-foot statue, visitors' center, and a large clock tower.&lt;/p&gt;</text>
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                <text>3/18/1998 (first authorization)</text>
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                <text>9/29/2010 (second authorization)</text>
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            <name>Coverage</name>
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                <text>1980-1999</text>
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              <elementText elementTextId="23364">
                <text>Image courtesy Bobbie K. Carlyle and the Washington Interdependence Council.</text>
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  <item itemId="513" public="1" featured="0">
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      <description>Important spaces on the mall (See the "Places" writeboard in basecamp.)</description>
      <elementContainer>
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          <name>Type</name>
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              <text>Memorials</text>
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              <text>Unbuilt</text>
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            <name>Title</name>
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                <text>Black Revolutionary War Patriots Memorial</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p&gt;In 1986, Maurice Barboza and Lena Santos Ferguson won Congressional authorization to honor African Americans who fought in the Revolutionary War with a monument on the Mall. Congress authorized the memorial, but followed precedent by not allocating any funds. Barboza and Ferguson raised enough money to fund a design by Edward Dwight that represented African American men, women, and children emerging from a granite vortex led by black soldiers. Barboza and Ferguson were unable to raise enough money before the authorization expired. The memorial was never built, but they revised their plan in 2005 and proposed the &lt;a href="http://mallhistory.org/admin/items/edit/516"&gt;National Liberty Memorial.&lt;/a&gt;&lt;/p&gt;</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>March 25, 1988 (authorized)</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>1980-1999</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="23405">
                <text>National Park Service, Ethnography Program. &lt;a href="http://www.nps.gov/ethnography/aah/aaheritage/histcontextsf.htm"&gt;View Original.&lt;/a&gt;</text>
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          </element>
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  </item>
  <item itemId="512" public="1" featured="0">
    <fileContainer>
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        <src>https://mallhistory.org/files/original/a35f94d54a7489648a9aca5d663e8bac.jpg</src>
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      <elementContainer>
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          <name>Type</name>
          <description>The nature or genre of the resource</description>
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              <text>Monuments</text>
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              <text>Unbuilt</text>
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          <name>Physical Description</name>
          <description>Text describing the appearance of the place and its situation on the Mall.</description>
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              <text>The monument would have featured a statue depicting an elderly African American woman cradling a white infant</text>
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                <text>Faithful Slave Mammies of the South Memorial</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>In 1922, Congress received a proposal from the Washington, DC, chapter of the United Daughters of the Confederacy to create the "Faithful Slave Mammies of the South" memorial recognizing the supposed loyalty of enslaved women to their owners during the Civil War. African American newspapers, including the &lt;em&gt;Chicago Defender&lt;/em&gt; condemned the proposal as an insult at a time when Congress was unwilling to pass laws protecting African Americans from lynching. The Senate approved the proposal in 1923, but pressure from citizens and the press prevented passage of the bill in the House, and the memorial was never built.</text>
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            <name>Date</name>
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                <text>1922 (proposed)</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>1920-1949</text>
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            <name>Source</name>
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              <elementText elementTextId="23476">
                <text>National Archives and Records Administration. &lt;a href="http://blogs.archives.gov/blackhistoryblog/2013/04/04/celebrating-the-faithful-mammies-of-the-south/"&gt;View source.&lt;/a&gt;</text>
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        <name>design &amp; monuments</name>
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